PRELUDE
CONTRIBUTORS
EDITORIAL
CONTENTS
ART AFFAIRS
KALEIDOSCOPE
INTERNATIONAL REPORT
Madhvi Subrahmanian
INTERVIEWS
Jordan Troeller
Gillian Da Costa
Abhay Sardesai
Latika Gupta
Suresh Jayaram
Sandhya Bordewekar
Meera Menezes
Shiladitya Sarkar
Sandhya Bordewekar
Sage Mehta
Lee Johnson
Zehra Jumabhoy
LETTER FROM PAKISTAN
Quddus Mirza
SPECIAL REPORTS
Sandhya Bordewekar
Marta Jakimowicz
Meera Menezes
INTERNATIONAL PROFILE
Zehra Jumabhoy
INTERNATIONAL REVIEWS
Deirdre King
Poornima Paidipaty
Peter Felch
Rotem Ruff
Cindy Elden
Lucy Soutter
REVIEWS
Subuhi Jiwani
Gitanjali Dang
Shiladitya Sarkar
Gopika Nath
Preeti Bahadur Ramaswami
Beth Citron
HOMAGE
Kashinath Salve
CONTRIBUTORS
Preeti Bahadur Ramaswami

Preeti Bahadur Ramaswami earned her PhD in Art History from Chandigarh in 2004. She has taught Art History at various institutes in Delhi, including the Delhi College of Art and NIFT and has been Ford Visiting Fellow at the School of Arts and Aesthetics, JNU. She has also worked at the American Institute of Indian Studies as Associate Director (Research). She is currently a freelance writer and researcher based in Delhi.


Rotem Ruff

Rotem Ruff is an independent curator and art writer living between New York, Tel Aviv and New Delhi. She has done her graduate work in Art History at Hunter College, New York, and has held various positions in galleries and art institutions including PS1 and the Museum of Modern Art, New York.


Jordan Troeller

Jordan Troeller is currently a Critical Studies fellow at the Whitney Independent Studies Program in New York, where she is researching the photographic practice of Brooklyn-based artist Zoe Leonard. She received her degree in 2007 from the University of California, Berkeley. Situated at the intersection of Art History and Criticism, her work focuses on the political implications and historical urgencies of art practices that, since the 1960s, have either been over-simplified or ignored.


Lucy Soutter

Lucy Soutter is a London-based artist, art historian and critic. She lectures at the Royal College of Art and Sotheby's Institute. Soutter writes for contemporary art and photography journals including Portfolio, Source and Frieze. Her recent publications include an introduction to Karen Knorr's Fables and a catalogue essay for Role Models: Feminine Identity in Contemporary American Photography, an exhibition that was on view at the National Museum of Women in the Arts, Washington DC.