40 How do moving images document social histories and what are the limits of these records? Sandhini Poddar introduces us to the Desire Machine Collective.

44 Whether they stand for ‘Community Art or Moral Programs’ or ‘Culture Among Marginal Peripheries’, art and activism mix well in CAMP’s projects, discovers Kaelen Wilson-Goldie.

47 The Clark House Initiative is the youngest collective to hit the art world. Nivedita Magar takes notice.

49 How does The Otolith Group hope to shake viewers out of the spell cast by capitalism? Zehra Jumabhoy investigates.

INTERVIEW

52 For more than a decade, KHOJ has unstintingly offered space and support to experimental art, Pooja Sood tells Meera Menezes.

LETTER FROM PAKISTAN

54 It’s the individual versus the group, complains Quddus Mirza as he records the successes and failures of collectives in his country.

REVIEWS

74 Bako and Bapu meet each other in their dreams. And in Atul Dodiya’s paintings. Abhay Sardesai plays observer.

77 Bodies in different avatars find their way into two shows at Gallery Maskara. Subuhi Jiwani checks them out.

78 Huma Mulji opens a box of memories and a boxed-up past. Shiladitya Sarkar bears witness.

80 How do we home in on different versions of home? Latika Gupta writes about a show curated by Girish Shahane at the Devi Art Foundation.

82 A house for Aradhana Seth: Varsha Reshamwala gets a view from the gallery.