25 REPORT The Delhi Biennale Seminar de-bunked myths about Asia, tackled issues of Euro - centrism, and discussed new ways of contextualising Indian art, informs Beth Citron.
26 LEAD ESSAY Shukla Sawant looks at the ways in which the photograph has been drawn on and re - ordered by contemporary Indian art practitioners.
36 PANEL DISCUSSION Abhay Sardesai and Zehra Jumabhoy discuss with Ader Gandi, David De Souza, Matthieu Foss, Niyatee Shinde, and Shahid Datawala whether there is a new turn in contemporary Indian photography.
40 OPINION David De Souza tells it like it is as he takes potshots at the big, bad world of commercial photography in India.
43 LEAD FEATURE Sandhya Bordewekar traces the development of photography in Baroda.
PROFILES
47 Vishwas Kulkarni engages with Sunil Gupta's photographic documentation of gay life.
50 Marta Jakimowicz introduces us to Avinash Veeraraghavan's aesthetic experiments with photography.
52 Peter Nagy navigates the multiple currents in Sheba Chhachhi's photographs of women renunciates.
INTERVIEWS
54 Abhay Sardesai has a heart-to-heart with the famously feisty photographer Dayanita Singh.
58 Meera Menezes asks photographer Raghu Rai some tough questions.
REPORTS
61 Samit Das's exhibition is called Sky, but his photogrpahs are quite down-to-earth, says Latika Gupta.
62 Karin Miller-Lewis keeps score at Justin Ponmany's solo show in New York.
64 Meera Menezes plumbs the depths of Atul Bhalla's water-inspired projects.
66 Meera Menezes discovers that micro-photos are used to represent macro - problems in Rashid Rana's work.
68 ESSAY Sasha Altaf makes a case for reading Nasreen Mohamedi's photographs in the same light as her art.
71 LETTER FROM PAKISTAN Quddus Mirza fills us in on innovative photographic interventions from his country.
74 SPECIAL REPORT Beverly Yong from Malaysia runs us through the work of three cutting-edge photo-artists from her neck of the woods.
INTERNATIONAL REPORTS
97 The winner at the 4th Liverpool Biennale was the city itself, says Deeksha Nath.
100 Gary Carsley finds the traditional rubbing shoulders with the contemporary at the 5th Asia-Pacific Triennial in Brisbane.
104 India goes to France at Lille 3000, but the cross-cultural journey isn't quite successful, states Julien Nénault.
INTERNATIONAL REVIEWS
106 Mumbai's mess looks suspiciously marvellous in Jitish Kallat's Sydney solo, observes Gary Carsley.
108 Subodh Gupta instals his identity at the centre of his show at The Baltic, notes Deeksha Nath.
REVIEWS
110 Meera Menezes mulls over Zarina Hashmi's delicate paperworks on view in Delhi, while Beth Citron discusses her prints mounted at a gallery in Mumbai.
113 Gitanjali Dang dwells on themes from Adip Dutta's and Paula Sengupta's joint show.
114 Zehra Jumabhoy surveys Krishnaraj Chonat's mock constructions.
115 Anant Joshi and Ivan Smith are both into toys and trauma, enthuses Zehra Jumabhoy.
116 Tasneem Mehta is enchanted by Anju Dodiya's site-specific installations at the Laxmi Vilas Palace in Baroda.
118 Latika Gupta is intrigued by Mekhala Bahl's enigmatic abstract paperworks.
119 Pathik Srijan analyses Laxman Shreshtha's switch to monochrome in the veteran painter's latest series.
120 Alwar Balasubramaniam's sculptures grapple with existential dilemmas, states Girish Shahane.
122 Gayatri Sinha tracks the shifts in Shilpa Gupta's multi-media artworks.
124 Mrinalini Mukherjee's big and small sculptures conjure up a forest of organic forms, says Ella Datta.
SPECIAL REPORTS
126 Ella Datta is captivated by Benodebehari Mukherjee's centenary retrospective.
128 Vijay Rana is delighted that Amrita Sher-Gil has finally been given her due at the Tate Modern in London.
129 SHOWCASE Jehangir Sorabjee visit London, Seoul, and Sewri - his photographs frame telling moments.
132 LISTINGS